THE PEOPLE’S McMANSION… Squid’s pretty happy with Squid’s modest lair, but a project that came before the County Planning Commission on Dec. 11 makes Squid’s lair look like a speck. On a 0.081-acre parcel – 3,252 square feet – in Carmel Valley, at 10196 Oakwood Circle, is a proposal to build a six-story, 12,470-square-foot home, plus an attached garage just over 930 square feet, a 2,124-square-foot accessory dwelling unit, a 483-square-foot junior ADU and around 3,420 square feet of decks.

The house is proposed to be built into an oak-studded hillside at a slope of more than 25 percent – in excess of what’s allowed by the county’s zoning ordinances – which is one reason county staff recommended denying a permit for it, and a county report also notes the project application contained “misleading and factually incorrect information.”

The applicant, San Francisco-based Rene Peinado, has a separate application into the county, so far deemed incomplete, for essentially the exact same project on the same property, except that the junior ADU would be deed-restricted as affordable. That, theoretically, would allow it to qualify as a “builder’s remedy” project, meaning that county officials would have much less discretion to deny it. What exactly a six-story mansion is a remedy for, Squid cannot tell.

DRAMA QUEENS… Squid loves a good song-and-dance routine, and live theater. So Squid had in mind to ooze over to Golden Bough Playhouse in Carmel to see Jersey Boys, produced by Pacific Repertory Theatre, before it closed Dec. 22. But when Squid went looking for tickets, there were big red letters announcing: Canceled, “due to medical issues and further circumstances beyond our control.” Ticketholders might consider donating to the nonprofit, or they could request a refund, an announcement read.

Behind the curtain, people were talking. Squid received a copy of a lengthy email from a cast member who quit, saying he stayed up all night to pen his list of grievances. They include objections to costume-fitting and choreography, among more serious claims, like a performer going onstage with a concussion. In his letter, Jeremy Ingraham noted that some of his concerns had been preemptively dismissed by ex-colleagues, including one who said it was “Gen Z’ers not understanding ‘the show must go on.’”

Squid’s colleague reached out to PacRep Executive Director Stephen Moorer to ask if it was just Gen Z crying, and he responded by throwing shade at the Weekly. “In classic tabloid tradition – because who needs facts or credible sources? – they’ve graced us with thirdhand gossip and half-baked slander from a disgruntled out-of-town performer,” he wrote.

Do two helpings of half-baked gossip make a full drama? Squid thinks it plays like a tragedy.

(2) comments

Stephen Moorer

Oh, bravo, Squid! Adding “creative fiction writer” to the resume now, are we? The artistry of twisting the truth into unrecognizable balloon animals is truly something to behold. Let’s unpack this masterpiece: we’re expected to believe that Squid, the paragon of timely journalism, decided to saunter in five weeks into a six-week run for coverage? Oh sure, because why bother with opening night when you can fashionably arrive late like a B-list celebrity?

And the pièce de résistance? An entirely fabricated dialogue! Not content with merely misquoting their colleague, they elevate the art form with a query that was never asked, totally ignoring the actual line of questioning (which was far closer to “When did you stop beating your wife?")!

But hey, why stop at half-baked gossip when you can serve up an entire buffet of soggy, flavorless mush?

Anyway, I eagerly await Squid’s Pulitzer-winning exposé on middle school group chats and the nuanced art of emoji overuse. Journalism’s future is bright, folks.

Martha Diehl

Dear Squid, perhaps you might like to add that the proposed project in Corral de Tierra was denied?

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